Transcription: Michael J. Morris

Shine(?): And . Did you both get the clap?
(out of frame): Yeah
Shine: Cool. Okay.

(out of frame): I’m not going to answer that, Shine.
[cut to Dallas and Jiz on bed in scene]
(out of frame): And … action.
[cut to Dallas and Jiz sitting on bed, out of scene]
Jiz: So what … what parts did you like the most?
Dallas: Um … I definitely liked the impact play. That was probably the part I liked the most. The
ropes were really fun, though frustrating at times. Which was part of the fun, I think.
Jiz: Yeah.
Dallas: Yeah.
Jiz: I’m new to ropes, so it was thanks to you. So it was … and also I like impact play,
so it was fun for me to explore that more. And it was kind of like a test run of like, okay, can I tie
something under pressure? I had to ask you to remind me how to do it. But I liked tying
you up. I like that you were able to untie yourself. You got skills.
[cut to scene]
Jiz: Show me how you like your hands tied again.
Dallas: You just take it and go around twice.
[cut to later in scene]
Dallas:
Jiz (out of fame): Good. Try it.
[Dallas struggling with ropes]
Jiz: I’ve distracted you.
Dallas: Uh-huh. Uh-huh. Yeah.
Jiz: Yeah.

Jiz: <laughter…punching…slapping>
Dallas: Lie down.
Jiz: Okay.
[cut back to sitting on bed]
Jiz: I really loved the way that you were struggling when you were tied up.
Dallas: Yeah.
Jiz: And I love the power dynamics with that. And impact play, hitting you, and how you responded
against that. And a little bit about—a little tiny bit about—your personal stuff about that, maybe you
can tell me more about that: your thoughts, and what you like about it.
Dallas: Well, I guess I identify as a switch, so I can play top, bottom, or anything, or a dynamic scene.
And I usually struggle, or kind of become a brat, when I’m bottoming, if I want to make the top act
more top-py, I guess.
Jiz: Yeah.
Dallas: Yeah.
Jiz: I think I do that too, ‘cause when I was hitting you to make you fuck me harder, I think I was
doing the same thing.
Dallas: Right.
Jiz: Yeah.
[cut to scene]
Jiz (out of frame): Seriously, you’re so gonna get it

[cut to later in scene]
Jiz: Yeah…you’re fucking me so good.
[cut back to sitting on bed]
Dallas: So it’s not like … I don’t know if, I don’t feel like it really has anything really to do with—
necessarily—gender roles, or anything like that, but it’s more about … it’s just more about making
people, like, stand up to the role. Like, meet me there.
Jiz: Yeah. I think that gender-wise, we have a lot in common too. Like, I feel like we’re pretty, um
… a lot of similarities. So I like that the scene kind of … “hour-
glassed.”
Dallas: Right. It started one way, and then it turned around.
Jiz: And then the time ran the other way.
Dallas: Yes. No, yeah, I like that too.
Jiz: Okay.
Dallas: Yeah. I think also part of the switching—or the switch that happened—was also, like, being
in front of a camera? And, like, feeling the pressure to cum on camera. And, like, knowing it wasn’t
going to happen. So, I was like, I’m just going to put the pressure on you now!
Jiz: Yeah. And I think I’m okay cumming on camera. But I also realize that with orgasming on
camera that … I mean, it’s kind of like how a lot of people approach sex, and there’s not necessarily,
like, you have to have an orgasm. So if I think of it like that, like I don’t have to cum if I’m not going
to, then it frees up the obligations to cum, and then I can cum more easily.
Dallas: Right. Exactly.
Jiz: Yeah.
[cross-fade]
Dallas: Oh, well, at the end when you wanted me to fuck you harder and faster, I was like, I’m going
as fast as I can! I need to practice or something. There needs to be exercise for that. But, I was trying.
Jiz: Tennis?
Dallas: Yeah, tennis, maybe … but, actually, the slapping, like, kept me motivated, so at least I
wouldn’t stop or slow down.
Jiz: Good.
Dallas: So maybe if I couldn’t go faster, at least I was trying to stay, like, at least as fast as I was going.
JIz: I thought that the ropes kept getting in the way too, but I also really liked tugging on them.
Dallas: Yeah. Uh-huh.
[cut to scene, Dallas putting on glove]
Dallas: It’s so sweaty in here.
Jiz: I know.
Dallas: You’re hot.
Jiz: You’re hot.
<laughter; Jiz pulling on ropes>
Dallas: Hey, let go if you want me to fuck you.
Jiz: Okay.
[cut to later in scene, Dallas fucking Jiz]
Dallas: You love it!
<laughter…heavy breathing…moaning>
Jiz: Oh, yeah yeah yeah yeah yeah …
[cut back to sitting on bed]
Dallas: So, I know you’re a seasoned porn star, but why’d you decide be here, to come back here
today and shoot again with Pink and White, and shoot with me?
Jiz: Um … duh! Because you’re so adorable. And because I really value Pink and
White, I mean, obviously, I’m a big Pink and White cheerleader. And I love the Crash Pad. And I
really wanted to fuck you on camera. And also, I hope that … so, you’ve had a scene with Vai, and
I’ve had a scene with Vai, and you’ve had a scene with Shawn, and I’ve had a scene with Shawn.
Shawn hasn’t had a scene with Vai. Anyway, I was thinking—maybe—if we play our cards right,

we could have a four-way. So … It would, I mean, it would only make sense.

[cross-fade]
Jiz: You have anything else? Final words, final words?
Dallas: Well, it’s really interesting shooting in this new location. It looks really nice, the way they lit
everything, I like that.
Jiz: Yeah. Kind of rustic. I like that. I definitely like the bedposts.
Dallas: Yes.
Jiz: It’s a plus.
Dallas: Bedposts are fun. Um. Yeah. I guess that’s all I have to say.
Jiz: I’m curious about the new location, and plot, and where it goes from here. And I would love to
see more artwork on the walls. So, if you’re an artist … Yeah. Yeah, I mean, I’ll
ask my friends, I guess.
Dallas: Yeah. Cool?

Jiz: Thank you.

Dallas: Thank you.

[credits]